
Image by Rebekah Burder for Honeysuckle Life.
Two of the biggest goals I have in 2012 is to “learn how to photograph food beautifully” and “find a photography style.” Nicaragua provided daily opportunities for photography, just by stepping out of my door. But lately, in Birmingham, my interest in actually taking a photo has diminished because it’s not as easy. Since I’m such a homebody, it’s difficult to push myself out the door to find new and beautiful places to photograph in Birmingham. We live about 45 minutes from the historical and downtown areas, and anything within fifteen miles is obnoxiously commercial and man-made. Other than horses and pine trees, I’m not sure what to photograph out here. Those are my excuses. The reasons why I haven’t developed something I profess to love. To be honest, one of my biggest weaknesses is not using my time wisely enough to develop my ideas and business.
But I digress. The first step to finding a photography style and learning to photography food is to research the masters. People I admire and photography I respond to. So, here they are, with my short critiques and comments.

Images via Sasha Gitin.
I love the boldness of Sasha’s photography. Each shot is perfectly exposed and styled. If you go to her website, there is a shot of a mushroom that I adore. But. Her images are clearly more commercial and professional than most, and while they are perfect for advertising and news articles, they aren’t approachable. I want my photography to incite the response, “I could do that!” and not just, “Wow, that’s a beautiful image.”

Image via Tracy’s Culinary Adventures
Tracy’s images score high on the approachability scale, but it’s still not the perfect match. I’m more interested in vintage pottery and silverware, natural fabrics, and a more renovated farmhouse style. Side note, are those cupcakes not amazing? I’m on day 8 of a Paleo diet and it’s been torture seeing all the beautiful recipes on Tracy’s website.

Image via Sunday Suppers by Karen Mordechai.
Sunday Suppers is a website to which I keep going back. The combination of food plus styling is irresistible. She often uses calligraphy, stationery, and packaging as the perfect additions to food (a result of her wedding photography background). It’s a little too New York loft to make it believable for my lifestyle.


Images via Tartelette Blog.
Hélène Dujardin, the creator of Tartelette, wrote a book called Plate to Pixels: Digital Food Photography and Styling. I’m adding it to my Amazon wish list. My motto is, “ask an expert” and Hélène seems just that. Someone with a deep love of food, styling, and photography. The bowl of limes is so appealing to me. It reminds me of Nicaragua lemo-limes, or what they call a limón, the fruit that’s a mix of lemons and lime. Tart, tart, tart, and perfect when squeezed over chicken, salsa, or rice. Ugly on the outside, amazing on the inside.
But, I’m not sure about linen fabric as a background, even if it is a welcome change from solid whites.

Images by Cannelle et Vanille.
In a dream world, I would be able to travel to Dordogne, France and learn from Aran, the creator of Cannelle et Vanille, and her crew. Yes, she lives in southern Florida, but her workshops are only offered at a renovated French farmhouse. Joy. Her style is the perfect mix of food, ingredients, style, food sources, and more. Her photographs are filled with pops of color against a white background. And when she travels? Gorgeousness, like the images above, in food form. Her diet is just so different from mine that I often think, “I will never cook with that ingredient.” But the photography, oh, how beautiful.
The main question for me is: how do I combine all of my influences into one style? From traditional Southern style, to Central American flavor. From rural Alabama simplicity to modern Irish design. The answer is complicated and unformed. But here’s what I do know, pulled from the images above:
My ideal photography style is:
Bright, clear images of ingredients and dishes against a solid background. Props include vintage pottery, dishes, flatware, and glasses, with solid linens. The background is well-lit and solid in color. Shots are from the top, or from a 45 degree angle.
So now that I have clearer guidelines, my goal this week is to select the perfect props and photograph ingredients as I bring them home from the stores, and meals as I prepare them.
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